Best Heavy Metal Cover Art from 2015

Best Heavy Metal Cover Art from 2015

With thousands of metal releases every year, there’s a ton of artwork that gets splashed across our screens on any given day. While some of it is awful, for the most part heavy metal gets album artwork right and really creates moods and tones you don’t get with the cover designs of other genres. This past year we got some really great cover art in just about every sub-genre. Unfortunately sometimes killer album art does not mean there will be equally killer music inside, though. Let’s take a look at the Best Heavy Metal Cover Art from 2015.

Contrarian – “Polemic”

Best Heavy Metal Cover Art from 2015

The one imbalance that stands out most in 2015 was the Marco Hassman cover for Contrarian’s “Polemic”. That cover is jaw-dropping, but it’s also intensely interesting in the details. I mean, that’s a giant space marlin, and it’s apparently engaged in battle with regular old non-organic, metal ships. Everything about that makes us want to hear the album in question. Unfortunately the music didn’t grab attention (the vocals in particular killed the enjoyment, and the instrumentation was pretty standard tech death), but the artwork unquestionably did its job here.

Moonspell – “Extinct”


With how prolific his art has become in recent years, no analysis of the year would be complete with looking at what Seth Siro Anton of Septicflesh gave us, most notably creating the cover for Moonspell’s “Extinct”. There’s no question that he’s an exceptional graphic designer, but by looking back at all his work it becomes clear he only works within a very narrow focus with an incredibly limited color palette. It’s essentially the same thing every time – gray, black, and white with perhaps a small splash of red.

The themes are also overly similar (in some cases, essentially identical), so if you’ve seen one Seth Siro cover, you’ve seen them all. It’s even more odd in Moonspell’s case, since they also used the same artist for previous album “Alpha Noir.” Even if each individual piece is visually interesting, they all become less so when you see more of them and realize there’s a lot of recycling going on here.

Against The Plagues – “Purified Through Devastation”

Against The Plagues-Purified Through Devastation

On the opposite end of that spectrum is the Against The Plagues’ “Purified Through Devastation” artwork from Pär Oloffson. He’s got a distinctive style, but doesn’t do the same thing every single time, and here he’s got something that’s clearly metal, but goes a bit of a different direction than you’d expect. It’s not an image you are soon going to forget and it gets all these ideas of aggression and purification through fire across in a single moment.

Abiotic – “Casuistry”


To understand Oloffson’s versatility, take a look at another piece for a 2015 album he did: “Casuistry” by Abiotic. You can see the little stylistic touches that tell you its the same artist, but otherwise this is night and day in terms of execution. Hands down, it’s also got to be one of the most visually appealing covers of the year 2015. There’s a giant fucking four-armed space elephant, and if you let your eyes relax, you realize he and his whispy smoke staff things are made out of skulls.

Unleash The Archers – “Time Stands Still”

Unleash The Archers-Time Stands Still

Going even more bombastic and combining the ideas of space and more standard metal fare like fiery demons, you’ve also got “Time Stands Still” from Unleash The Archers. Although the cover is a little “busy,” that’s undeniably awesome to see the giant chained demon guy ripping his way out of a planet and reducing it to cinders.

Iron Spell – “Electric Conjuring”

Iron Spell-Electric Conjuring

For another look at how versatile metal covers can be, take Iron Spell’s “Electric Conjuring”. It’s completely different from anything else seen above, but you still know you are going to get metal. This cover really gets the point across but doesn’t do anything outlandish in the process. Without any skulls, demon lords, decapitations and so on, it still leaves absolutely no question as to what sort of genre this music is going to be.

Amorphis – “Under The Red Cloud”

Amorphis-Under The Red Cloud

Moving away from the direct representations of specific scenes, 2015 saw some interesting hyper stylized art that doesn’t necessarily evoke the feeling of metal but is still engaging to the eyes, like “Under The Red Cloud” by Amorphis. At first glance it just seems like a bunch of New Age-y squiggles, but then it comes into focus and you realize that’s a giant yin-yang snake creature and the arms are all touching the changing phases of the moon. It doesn’t scream “metal” like the previous album covers, but it does draw you in and make you keep looking longer.

Anthropia – “Non-Euclidian Spaces”

The absolute best covers of the year probably come down to a tie between Anthropia’s “Non-Euclidian Spaces” and Barren Earth’s “On Lonely Towers”, and both for the same reason even though they are drastically different pieces: they both get the idea of their albums across exactly.

Anthropia-Non-Euclidian Spaces

A glance at “Non-Euclidian Spaces” tells you this is something Lovecraftian, and further examination cements the notion. That’s clearly a nightguant in the upper left corner, and those are tentacles protruding from some mind-blasting horror on the upper right. Looking at the center reveals an elder sign on the back of poor Randolph Carter.

Barren Earth – “On Lonely Towers”

Barren Earth-On Lonely Towers

Barren Earth equally gets its core theme across with those towering monoliths – the eponymous lonely towers – in a state of decay in some god forsaken hellscape. It’s a simple, striking piece, but again there’s much more going on if you zoom in and pay close attention to all the details, and that’s the mark of a fabulous cover that makes you want to listen to the music.

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